Leonard Quart's American Film and Society since 1945 PDF

By Leonard Quart

ISBN-10: 0313382522

ISBN-13: 9780313382529

ISBN-10: 0313382530

ISBN-13: 9780313382536

ISBN-10: 1440800790

ISBN-13: 9781440800795

During this newest replace to American movie and Society in view that 1945, the authors extend upon previous variations by means of including motion pictures formerly missed, and expand their research of a couple of motion pictures through discussing how those works catch the temper and values of yankee society in a selected decade. Interpretation of motion pictures can contain direct connections with social and political concerns, yet frequently care for the real subtext of goals, wishes, and displacements that the yankee public feels. contemporary motion pictures that current homosexual relationships and politics, reminiscent of Brokeback Mountain and Milk, and that tackle race kinfolk and concrete reasonable Crash and invaluable are tested. This fourth variation additionally addresses adjustments within the smooth movie similar to convergence and the electronic revolution.

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Consequently, it should come as no surprise from such a paean to the military that the film’s apotheosis is the appearance of an actor embodying Ford’s personal deity, General MacArthur, accompanied by a series of reaction shots of sailors with glowing faces standing in awe of this American icon. indd 18 6/7/2011 10:55:26 AM THE 1940s 19 tableaux. However, Ford’s treatment of military rituals and codes is so profoundly felt and his images so grand and stately that the conventional and sentimental emotions and characters are transformed into archetypes and the clichés into myths.

The dream is made complete by a black mammy cook (Hattie McDaniel) who, though the family can no longer afford her, returns each night after a full day’s work to provide free housework, comic relief, and consolation. It’s an image of racial unity that provides a fitting capstone to this relentless celebration of the home-front United States. Nevertheless, despite its saccharine, wish fantasy quality, Since You Went Away did touch on one very important home-front reality: the new role for women as workers in defense industries.

Indd 36 6/7/2011 10:55:27 AM THE 1940s 37 became a worldwide hymn of a hoped-for postwar world of peace and prosperity. The same film’s “We’re Off to See the Wizard” became the anthem of the British army as it chased Rommel across the sands of North Africa, and “Ding Dong the Witch Is Dead” was danced the world over on VE Day. On another level, the film’s singing and dancing intimated that a great deal of energy lurked beneath the everyday surface and seemed ready to burst forth at any moment. During the war years, that energy seemed to nestle softly in a nostalgic evocation of a turn-of-the-century America, an idealized world that was perhaps never better realized than in Vincente Minnelli’s vividly colored and stylized Meet Me in St.

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American Film and Society since 1945 by Leonard Quart


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